One of Friedrich Nietzsche’s more famous and strangely popular idioms is his “Death of God” theory presented through the madman in his 1883 work The Gay Science. Though it has been used for all sorts of philosophical and theological purpose, often twisting it to fit whatever schematics the debater wants to shape it into, the idea itself can apply to several pieces of cinema, all … Continue reading Collapsing Belief Systems and The Nietzschean Death – (Winter Light, The White Ribbon, The Turin Horse).
This article contains spoilers. Considering the large amount of time and effort that goes into creating and putting together the soundtrack to a film, one of the most interesting creative choices for filmmakers (often outside of the mainstream) is to use a piece of music continuously throughout rather than use different music for different scenes and segments. This choice often highlights a desire for the … Continue reading Solitary Music In Melancholia and The Turin Horse (von Trier and Tarr).