The Unleashing of Repressed Eroticism in Black Narcissus (1947) and The Shining (1980).

The geographical make-up of a film’s scenario is often a subtle root-cause of its dramatic effect.  The sense of place, both its physical and psychological attributes, can be so overwhelming that whole narratives can follow the buckling of characters under pressure from this force; to the point where their own emotional identity and personal dynamics fluctuate, reflect, and occasionally attempt to rebel against an imposing … Continue reading The Unleashing of Repressed Eroticism in Black Narcissus (1947) and The Shining (1980).

The Shining – Legacy of Balance In Horror Film Scores.

While writing about a perceived pivoting moment in horror film scores for a research essay last year, I briefly mentioned towards the end of what I termed “a legacy of balance” within horror film music and film scores.  With the word limitations on that essay meaning that the point was only vaguely surmised with a handful of explanations, I wanted to go further into what … Continue reading The Shining – Legacy of Balance In Horror Film Scores.