The Masque of the Red Death (Roger Corman, 1964) – Kierkegaard’s Aesthetic Phase and Inverted Freudian Pleasure Principle (Part 1).

Roger Corman may be better known for pulpy B-movies but his work adapting Edgar Allen Poe for the big screen is uncharacteristically layered and has a depth that far outstrips films of a far more serious ilk.  Almost all his Poe adaptations (excluding the fun but overall light The Raven) take Poe’s original structure for stories and adds questioning elements to them, largely built around … Continue reading The Masque of the Red Death (Roger Corman, 1964) – Kierkegaard’s Aesthetic Phase and Inverted Freudian Pleasure Principle (Part 1).

The Horror Film Score Rebellion Part 1 – Classic Horror

INTRODUCTION 1968 was the year that horror cinema sought to change the way in which it scored its films and began to develop alternatives to the increasingly cliched sounds that had become a staple of the genre since the silent era. David Raskin, who had scored the first two Basil Rathbone-starring Sherlock Holmes films in the early thirties, as well as a number of film … Continue reading The Horror Film Score Rebellion Part 1 – Classic Horror

A Beginner’s Guide to Vintage Horror 1920 – 1960.

Taking a side step from simply looking into the work of one particular director, here we are going to be looking at the highlights from a whole genre.  It seems like a big ask but really the genre of horror needs its past remembering now more than ever.  With the modern interpretation of genre reliant on set pieces or gore and torture, and with very … Continue reading A Beginner’s Guide to Vintage Horror 1920 – 1960.