A Musicological Study of Ken Russell’s Composer Films – Part 9 (Conclusions).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Conclusions. The auteristic traits of any director can have a strong, almost unstoppable effect on a film and its subject matter.  This often ranges from stylistic visual aestheticism to more thematic trends in a director’s body of work.  For this case study of the work of Ken Russell, this … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 9 (Conclusions).

A Musicological Study of Ken Russell’s Composer Films – Part 7 (Pop Aesthetics).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6.  The Use of Rock and Pop Aesthetics in Lisztomania (1975) and Tommy (1975). While the sociological reaction to classical music is a debatable area, Ken Russell had a very clear vision of how classical composers at least ought to have been received.  A moment in Mahler briefly summarises this idea, where Mahler is … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 7 (Pop Aesthetics).

A Musicological Study of Ken Russell’s Composer Films – Part 5 (Dance of the Seven Veils).

Part 1. Part 2. Part 3. Part 4.  When approaching a cinematic portrayal of Richard Strauss, Russell is, for the first time in his biographical canon, openly honest about its position within cultural texts.  Dance of the Seven Veils has a sub-heading that reads “A comic strip in 7 episodes on the life of Richard Strauss” which is the first open admission that this is … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 5 (Dance of the Seven Veils).

A Musicological Study of Ken Russell’s Composer Films – Part 4 (The Music Lovers).

Part 1. Part 2. Part 3. Transitional Films and Symbolic Representations of Classical Composers. In spite of using the visual form as an excuse for experimentation with documentary and biography as seen in his films for the BBC, it wasn’t until the early 1970s where Russell really found material to properly experiment with.  The word experimental however must be contextualised as even the films discussed … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 4 (The Music Lovers).

A Musicological Study of Ken Russell’s Composer Films – Part 1 (Introduction).

The Russell Prism: How Ken Russell’s Auteuristic Aesthetics Presents a Reception Study of Classical Music and its Composers. The following essay was a dummy-run dissertation for my Masters course before realising that the subject had already been covered thrice in audio-visual academia.  Though none of three essays analyse or go into the depth of the work (instead choosing to shoehorn their own subject matter through … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 1 (Introduction).