Eroticism in the Music of Béla Bartók – Part 3 (The Modernist Jungle)

Part 1. Part 2. On the other hand, The Miraculous Mandarin presents a set of characters who are, by contrast, in the aesthetic stage; satisfied with the quick, disposable type of pleasures and unconcerned with future development.  Carlisle states that " The aesthetic mode of existence is characterized by the pursuit of personal satisfaction.  The … Continue reading Eroticism in the Music of Béla Bartók – Part 3 (The Modernist Jungle)

Eroticism in the Music of Béla Bartók – Part 2 (Post-Wagnerian).

Part 1. Bartók as a Post-Wagnerian Composer and The Confronting of Eroticism in The Miraculous Mandarin. "Thus, at first, there came a weariness of the productions of the Romantic Period, and then, as a consequence of this weariness, a search for points of departure which represented the greatest possible contrast to those of the Romantic … Continue reading Eroticism in the Music of Béla Bartók – Part 2 (Post-Wagnerian).