Part 1. Part 2. The Freudian Dream Corman’s Poe films have become famous for their dream sequences. The source literature revels in the possibilities of nightmares taking over the psyche so they seem an apt distraction for a medium that already adores the possibilities of dreams. The Masque of the Red Death perhaps contains Corman’s most effective and disturbing sequence; one of the few to … Continue reading The Masque of the Red Death, Roger Corman (Part 3) – The Freudian Dream.
Roger Corman may be better known for pulpy B-movies but his work adapting Edgar Allen Poe for the big screen is uncharacteristically layered and has a depth that far outstrips films of a far more serious ilk. Almost all his Poe adaptations (excluding the fun but overall light The Raven) take Poe’s original structure for stories and adds questioning elements to them, largely built around … Continue reading The Masque of the Red Death (Roger Corman, 1964) – Kierkegaard’s Aesthetic Phase and Inverted Freudian Pleasure Principle (Part 1).