Part 1. Part 2. Part 3. Conclusions “The link between art and real history is the fact that works of art are structured like monads. History may be called the content of works of art. Analysing them is the same as becoming conscious of the immanent history stored up in them.” Adorno (1970, p.126). The bedrock of this essay has been to show how Ligeti’s … Continue reading Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 4 (Conclusions)
Ligeti’s Atmosphères as a Musical Foreshadowing of Stanley Kubrick’s 2001: A Space Odyssey. Introduction. “First in Cologne in 1957 and later during my long stay in Vienna in the ’60s, I gradually evolved a musical style in which I abandoned structures conceived in terms of bars, melodies, lines and conventional forms. In this respect my first two orchestral works, Apparitions and Atmosphères, are the most … Continue reading Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 1 (Introduction)
Part 1. Part 2. Part 3. Part 4. Part 5. Music for Strings, Percussion and Celesta in Stanley Kubrick’s The Shining (1980). Though not as fuelled by repression and eroticism as The Miraculous Mandarin, Music for Strings, Percussion and Celesta also made the slight transition from eroticism to horror. With its use on Doctor Who, the very basic groundwork for the piece was laid for … Continue reading Eroticism in the Music of Béla Bartók – Part 6 (Kubrick and Conclusions).
The pointlessness of war and the slaughter of men at the word of fools at the top of the hill has been a poignant and depressingly timeless subject of war films since their very inception. One of the most powerful of these films is Stanley Kubrick’s Paths Of Glory(1955) which portrays the most infuriating yet believable tales of injustice. The film deliberately accentuates the contrasts between … Continue reading Paths Of Glory – Stanley Kubrick (1955)