Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 4 (Conclusions)

Part 1. Part 2. Part 3. Conclusions "The link between art and real history is the fact that works of art are structured like monads.  History may be called the content of works of art.  Analysing them is the same as becoming conscious of the immanent history stored up in them." Adorno (1970, p.126). The … Continue reading Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 4 (Conclusions)

Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 1 (Introduction)

Ligeti's Atmosphères as a Musical Foreshadowing of Stanley Kubrick's 2001: A Space Odyssey. Introduction. "First in Cologne in 1957 and later during my long stay in Vienna in the '60s, I gradually evolved a musical style in which I abandoned structures conceived in terms of bars, melodies, lines and conventional forms.  In this respect my … Continue reading Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 1 (Introduction)

Eroticism in the Music of Béla Bartók – Part 6 (Kubrick and Conclusions).

Part 1. Part 2. Part 3. Part 4. Part 5. Music for Strings, Percussion and Celesta in Stanley Kubrick's The Shining (1980). Though not as fuelled by repression and eroticism as The Miraculous Mandarin, Music for Strings, Percussion and Celesta also made the slight transition from eroticism to horror.  With its use on Doctor Who, … Continue reading Eroticism in the Music of Béla Bartók – Part 6 (Kubrick and Conclusions).