I once had a friend who taught cinema theory at La Fémis in Montmartre.  Dr. Stefan Fischer was an expert in early film art and was particularly interested in the role of celluloid in early screenings and installations.  It was the celluloid, so he often told me, that allowed early film art to proliferate towards abstraction.  Though we taught at different institutes and on differing … Continue reading Fictions: Brakhage’s Dæmon