John Ford And The Visual Representation Of Emotion And Belief – (The Searchers, Stagecoach and Fort Apache)

John Ford is such an obvious enigma; it’s not surprising that the new wave of American film makers became obsessed with his methods and persona.  The awkwardness that exudes from the famously sparse interview with Peter Bogdanovich highlights well the portrayal of relationships in Ford’s films; namely that behind a blunt, entertaining simplicity, there’s an … Continue reading John Ford And The Visual Representation Of Emotion And Belief – (The Searchers, Stagecoach and Fort Apache)