Shadows dance upon the walls of Robert Wiene’s Das Cabinet Des Dr. Caligari (1920). The world of shadows and light, edges and angles, the slanted and the macabre, all seem so much more at home in silent cinema as a whole; images that negate sound have a very natural ghostliness to their nature. This is doubly so for a film that nigh on invented horror … Continue reading Das Cabinet Des Dr. Caligari (1920) – Masters of Cinema Restoration.
Film is at its best when the subject in hand is presented through the obvious visual elements of the medium rather than outside factors such as sound, dialogue etc. The lure of silent cinema is an exotic one, one perhaps of curiosity as well as nostalgia for a time when cinema’s aims seemed in line with that of the artistic being parallel to the entertaining. … Continue reading Das Kabinett Des Doktor Caligari – Robert Weine (1920)
Before the Second World War, mythology was in a healthy and respectable state of affairs. With Jewish mysticism in particular dominating the beliefs and influences of many fields, it was only a matter of time before it found its way into film. The fantasy elements and myths in particular seem a perfect mould for the cinematic medium, yet it seems to have been resisted in … Continue reading Der Golem – Paul Wegener (1920)
Carl Theodor Dreyer is one of the more gentle directors to rise from the Scandinavian art house and a man who’s work in general showcases a sensuality and delicate touch that would leave many of his contemporaries completely enamoured. With the exception of his often-praised emotional tour de force La Passion de Jeanne d’Arc, Vampyrcomfortably stands as the directors crowning celluloid achievement. During the period that Vampyr was made (1932 … Continue reading Vampyr – Carl T. Dreyer (1932)