Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 4 (Conclusions)

Part 1. Part 2. Part 3.  Combining the Readings: Similarities, Contradictions and Cross-Over. “It’s as if the film were pinpointing the very essence of the unfilmable: the entwined couple, monstrous, the two-backed beast of the primal scene, the impossible couple of body and voice.” – Michel Chion (1999, p.149). While Murphy and Fenimore examine and address different points and issues, their resulting essays not only … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 4 (Conclusions)

Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 2 (An Audiovisual Foreshadowing)

Part 1. Emphasis on Visual Cues in Scott Murphy’s “An Audiovisual Foreshadowing in Psycho“. “We can grasp in effect something which, already in nature, appropriates the gaze to the function to which it may be put in the symbolic relation in man.” – Jacques Lacan (1977, p.105). Scott Murphy’s “An Audiovisual Foreshadowing in Psycho” is already an interesting proposition in the context of its original … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 2 (An Audiovisual Foreshadowing)