Part 1. Part 2. The first of these musical destructions comes when Pierrot and Marianne are housed in the flat of a dead man. So far, the film has shown little sign of doing anything as extreme as breaking out into musical numbers, so when Anna Karina starts to sing along to the accompaniment of a piano track, it instantly kills the little illusion Pierrot Le … Continue reading Avant Godard – Part 3 (Pierrot Le Fou and Conclusion on Godard’s Music).
Part 1. Ideas In Later Films By Godard. Godard would continue to subvert the role of record players in his work to similar but more extreme effects. It seems odd that the connecting factor to all the scenes mentioned is the presence of his, then wife, Anna Karina. Godard is capable of presenting her dancing and singing with a relatively normal relationship between the visual … Continue reading Avant Godard! – Part 2, Musical Subversion (Bande à Part and Pierrot Le Fou)