Short Film – Ness (Robert Macfarlane and Stanley Donwood)

I’ve very happy to say that, after five years since the very first frame was shot, the film adaptation of Robert Macfarlane and Stanley Donwood’s Ness is finally finished. Started before the book was even written, the project has been on and off since late 2014 when first gaining permission to visit the famous site of Orford Ness; once a semi-fictionalised place in my mind’s … Continue reading Short Film – Ness (Robert Macfarlane and Stanley Donwood)

Trailer – Ness (Robert Macfarlane & Stanley Donwood)

Above is the trailer for my only short film this year and probably my last for the foreseeable. Thankfully, I think it will be one of the strongest and certainly all of the elements have come together nicely. The film is called Ness and is an adaptation of Robert Macfarlane and Stanley Donwood’s upcoming short collaboration, detailing a strange, folkloric vision of the Orford Ness … Continue reading Trailer – Ness (Robert Macfarlane & Stanley Donwood)

Responses: Poems On Landscape and Melancholy

Throughout 2016, I’ve been trying to respond to artwork about landscape in more ways than simply essays.  I found that in trying convey work that I liked, there was only so far I could go with conventional journalistic and essay writing.  At the tail-end of each response article, I’ve been sneaking in a poem about the work and its themes so thought it would be … Continue reading Responses: Poems On Landscape and Melancholy

Responses: Blind Landings (2013) – Jane And Louise Wilson.

Debris degrades and degradation can be measured but can art be this measurement?  Orford Ness in Suffolk, a former atomic weapons mechanism research and testing facility, doesn’t ask these questions but the place has attracted such a huge number of artists to its shores that the question of creativity and its role as a reaction to such politically doused spaces cannot help but be evoked.  … Continue reading Responses: Blind Landings (2013) – Jane And Louise Wilson.