This article contains spoilers. Cinema was built for dreams. It’s almost cliché now, adding dreams, dream sequences, dream-scapes; endless tumbling ambiguity to add depth and distance to a film. Nicolas Winding Refn’s Only God Forgives (2013) is not a dream in the sense of Inception (2010) or Spellbound (1945) but more in the sense of a light day-dream inciting calm before a violent storm. On … Continue reading Only God Forgives (Nicolas Winding Refn) – Violent Sonatas and Dreaming in Colour.