Objectification As Desire In The 1960s British Youth Film.

On a recent exploration of several films from the 1960s, some startling realisations occurred.  A change in moral values is pretty easy to distinguish within any given time-frame but the casual representation of the era's moral values were surprising to behold.  In the 1960s, the concept of the teenager was barely a decade old; a new … Continue reading Objectification As Desire In The 1960s British Youth Film.

A Musicological Study of Ken Russell’s Composer Films – Part 7 (Pop Aesthetics).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6.  The Use of Rock and Pop Aesthetics in Lisztomania (1975) and Tommy (1975). While the sociological reaction to classical music is a debatable area, Ken Russell had a very clear vision of how classical composers at least ought to have been received.  A … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 7 (Pop Aesthetics).

A Musicological Study of Ken Russell’s Composer Films – Part 2 (Monitor and Bartok).

Part 1. BBC Monitor and the Use of Audio-Visual Form as Musicological Comment. The medium that Russell first gained traction in was not in fact film but in television documentaries.  The flop of his first feature film, French Dressing (1964), marks the advent of his daring creativity entering into his work as television director; a … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 2 (Monitor and Bartok).