This review contains spoilers. Fluidity is rife within Antonio Campos’ 2012 film Simon Killer. From its character’s perception of reality to its editing and direction, the film seems in a constant state flux, moving in and out of ideas and emotions as easily as its sociopath protagonist. For a film with such a violent, blunt title, it almost betrays the melancholic, rarely visceral content of … Continue reading Simon Killer (Antonio Campos, 2012) – Masters of Cinema.
It is an oft stated belief that silence is the most powerful effect in the canon of film sound techniques and tricks; a seemingly obvious nod to the lack of music to the lead the viewer emotionally and also a gentle nudge at the general over abundance of non-diegetic score in film. One of the most stark and allegorical uses of silence can be found … Continue reading Silence as Resistance – Le Silence De La Mer (Jean-Pierre Melville)