Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 3 (Musical Narrative)

Part 1. Part 2. 2001: Narrative and Musical Parallels. “Ultimately, 2001 is a film that suspends that coordination of the human body, and thus human nature, in such conditions- even as it suspends our final judgments about human nature in its open-ended conclusion about our future development.” Decker – (2007, p.101). One of the biggest omens that a piece of music is given preference in … Continue reading Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 3 (Musical Narrative)

Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 1 (Introduction)

Ligeti’s Atmosphères as a Musical Foreshadowing of Stanley Kubrick’s 2001: A Space Odyssey. Introduction. “First in Cologne in 1957 and later during my long stay in Vienna in the ’60s, I gradually evolved a musical style in which I abandoned structures conceived in terms of bars, melodies, lines and conventional forms.  In this respect my first two orchestral works, Apparitions and Atmosphères, are the most … Continue reading Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 1 (Introduction)