Throughout 2016, I’ve been trying to respond to artwork about landscape in more ways than simply essays. I found that in trying convey work that I liked, there was only so far I could go with conventional journalistic and essay writing. At the tail-end of each response article, I’ve been sneaking in a poem about the work and its themes so thought it would be … Continue reading Responses: Poems On Landscape and Melancholy
While Andy Goldsworthy’s work has a general theme of transience running through its core, it is perhaps best summarised in his use of ice within sculpture. Though almost everything the artist does has a brief lifespan as a finished object, there are few that seem so precarious as the ice works, specifically his various ice arches. For this article, the ice arch in question is … Continue reading Responses: Andy Goldsworthy’s Ice Arch (1982).
The sculptor Henry Moore saw a stark link between the rock that was both his material and inspiration, and the grazing calmness of sheep. The animals stand out in the landscape in the same, oblique way, providing an aesthetic of both fitting in and being anomalous; they litter the vista in a way that is puzzling and warmly mysterious. Roger Deakin saw this relationship himself … Continue reading Responses: Henry Moore’s Sheep Sketchbook (1980).