A Musicological Study of Ken Russell’s Composer Films – Part 9 (Conclusions).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Conclusions. The auteristic traits of any director can have a strong, almost unstoppable effect on a film and its subject matter.  This often ranges from stylistic visual aestheticism to more thematic trends in a director's body of work.  For … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 9 (Conclusions).

A Musicological Study of Ken Russell’s Composer Films – Part 1 (Introduction).

The Russell Prism: How Ken Russell's Auteuristic Aesthetics Presents a Reception Study of Classical Music and its Composers. The following essay was a dummy-run dissertation for my Masters course before realising that the subject had already been covered thrice in audio-visual academia.  Though none of three essays analyse or go into the depth of the … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 1 (Introduction).