A Musicological Study of Ken Russell’s Composer Films – Part 9 (Conclusions).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Conclusions. The auteristic traits of any director can have a strong, almost unstoppable effect on a film and its subject matter.  This often ranges from stylistic visual aestheticism to more thematic trends in a director’s body of work.  For this case study of the work of Ken Russell, this … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 9 (Conclusions).

A Musicological Study of Ken Russell’s Composer Films – Part 2 (Monitor and Bartok).

Part 1. BBC Monitor and the Use of Audio-Visual Form as Musicological Comment. The medium that Russell first gained traction in was not in fact film but in television documentaries.  The flop of his first feature film, French Dressing (1964), marks the advent of his daring creativity entering into his work as television director; a role he had begun at the BBC for their documentary … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 2 (Monitor and Bartok).