While trailing through the film work of Pier Paolo Pasolini, it becomes clear that the director has an eye for capturing specific moments that manage to visually remain with the viewer. Whether it’s the floating maid in Theorem (1968), the walking on water in The Gospel According to St. Matthew (1964) or any number of images from Salò (1975), the director is often defined by … Continue reading Landscapes of Pasolini (Oedipus Rex, Theorem, Pigsty).
Federico Fellini is one of Italy’s greatest and most influential filmmaker with a style and substance rarely matched in European art house film, especially in earlier work. A number of his pictures have recently made it into the Sight & Sound top 100 poll with his masterpiece 8 ½ even finishing within the top 10. He’s a director who often portrays the struggles of humanity in the … Continue reading La Strada – Federico Fellini (1954)
Bicycle Thieves, or Ladri Di Biciclette in its original Italian title, is a genre defining and trend setting film by maverick Italian director Vittorio De Sica. Its importance to the Italian Neo-Realism movement is unquestionable but it seems that more discourse is raised about its influence on later films than the actual content itself these days. Its gritty coating means that it spearheads the Neo-Realism … Continue reading Bicycle Thieves – Vittorio De Sica (1948)