The General’s Son (1990) and Genre-Film Subversion (Im Kwon-Taek).

Im Kwon-Taek’s post Seopyeonje (1993) work perhaps feeds into the more art house desires and pressures from the west but on the cusp of this, his earlier genre film work still managed to show through in his 1990 film The General’s Son.  While on its faded surface is a relatively clichéd crime drama with added kung-fu style violence, in between its more ridiculous and pulpy … Continue reading The General’s Son (1990) and Genre-Film Subversion (Im Kwon-Taek).

South Korean Film Music and Ease of Distribution – Part 1 (Tradition vs. Globalisation).

Tradition vs. Globalisation: The Relationships between South Korean Film Music and Its Ease of Consumption and Distribution. Introduction  The Effect Of Globalisation Pressure On South Korean Cinema. “The core problem is no doubt that most of us in the West know little or nothing of Korea’s modern history.  It’s impossible to understand Korea’s artists without knowing the context in which they worked…” (Rayns, 2012, p.40). … Continue reading South Korean Film Music and Ease of Distribution – Part 1 (Tradition vs. Globalisation).