The General’s Son (1990) and Genre-Film Subversion (Im Kwon-Taek).

Im Kwon-Taek’s post Seopyeonje (1993) work perhaps feeds into the more art house desires and pressures from the west but on the cusp of this, his earlier genre film work still managed to show through in his 1990 film The General’s Son.  While on its faded surface is a relatively clichéd crime drama with added kung-fu style violence, in between its more ridiculous and pulpy … Continue reading The General’s Son (1990) and Genre-Film Subversion (Im Kwon-Taek).

Chi-hwa-seon (2002) – Im Kwon-Taek.

The preservation and evolution of South Korean cultural traditions became the dominant focus of Im Kwon-Taek’s films after the ease of censorship in a change of government regime.  A number of his post-genre cinema began to address this though the real cultural reactions can be found in later work which can effectively be called post-Cannes; meaning the cinema he made during his currently slow but … Continue reading Chi-hwa-seon (2002) – Im Kwon-Taek.

South Korean Film Music and Ease of Distribution – Part 1 (Tradition vs. Globalisation).

Tradition vs. Globalisation: The Relationships between South Korean Film Music and Its Ease of Consumption and Distribution. Introduction  The Effect Of Globalisation Pressure On South Korean Cinema. “The core problem is no doubt that most of us in the West know little or nothing of Korea’s modern history.  It’s impossible to understand Korea’s artists without knowing the context in which they worked…” (Rayns, 2012, p.40). … Continue reading South Korean Film Music and Ease of Distribution – Part 1 (Tradition vs. Globalisation).