Musical Emphasis on Visual Words (François Truffaut and Pier Paolo Pasolini)

The relationship between sound and vision in film is one that is complex and almost indefinable in a broad sense due to each director and composer treating such relationship in different ways.  The two examples about to be discussed are almost reverse images of each other’s effects; the same method has been applied but for different reasons and different results.  Much examination has taken place … Continue reading Musical Emphasis on Visual Words (François Truffaut and Pier Paolo Pasolini)

Shoot the Pianist – Francois Truffaut (1960)

At the heart of many films by François Truffaut, there is a flawed but humble and tragic male figure that often gets into trouble or worse, has his heart broken.  There’s no doubt that Truffaut, himself a gentle and misunderstood director, projects himself into his many flawed men of his films, whether it’s troubled youth Antoine Doinel from The 400 Blows or women addicted Bertrand Morane from The … Continue reading Shoot the Pianist – Francois Truffaut (1960)