Avant Godard! – Part 2, Musical Subversion (Bande à Part and Pierrot Le Fou)

Part 1. Ideas In Later Films By Godard. Godard would continue to subvert the role of record players in his work to similar but more extreme effects. It seems odd that the connecting factor to all the scenes mentioned is the presence of his, then wife, Anna Karina.  Godard is capable of presenting her dancing and singing with a relatively normal relationship between the visual … Continue reading Avant Godard! – Part 2, Musical Subversion (Bande à Part and Pierrot Le Fou)

Last Year In Marienbad – Alain Resnais (1961)

Alan Resnais is perhaps one of quieter directors of the French New Wave movement.  His films are often delicate examinations of the emotional states and philosophical choices that take their time in delivering a story.  Though less known than both Godard and Truffaut, his work has a strong consistency that makes repeat viewings essential in gaining an insight into what exactly the film was about.  Last Year … Continue reading Last Year In Marienbad – Alain Resnais (1961)