Propaganda, Metaphor And Nostalgia: Sound And Music In Cinema About The British Working Class. Introduction – Class and the Arts “The collective function of music has become transformed into the function of ensnaring the customer.” (Adorno, 1947, p.61). Class is an ever pervasive issue in British society. While manifesting into many forms around the world, the British flavour of delineation appears to draw the most … Continue reading Sound And Music In Cinema About The British Working Class (Part 1).
The films of Jacques Tati so often place their main protagonist out of time and out of step with his various scenarios that it was to be expected that Tati’s debut feature film Jour de Fête (1949) was to bask in a similar situation. However there’s a sense of naivety due to various factors within the film that makes Tati’s debut seem not quite up … Continue reading Jour de Fête – Jacques Tati (1949), BFI.
Terence Davies is perhaps the most important creative force to emerge from Liverpool since The Beatles. The veteran filmmaker, who only has a handful of films to his name, is the quintessential art cinema director who mixes art house visuals with kitchen sink realism and autobiographical narratives. His first full length film is an exercise in storytelling and makes a relatively straightforward drama seem something … Continue reading Distant Voices, Still Lives – Terence Davies (1988)