The relationship between sound and vision in film is one that is complex and almost indefinable in a broad sense due to each director and composer treating such relationship in different ways. The two examples about to be discussed are almost reverse images of each other’s effects; the same method has been applied but for … Continue reading Musical Emphasis on Visual Words (François Truffaut and Pier Paolo Pasolini)
Horror films were slow on the upkeep when it came to electronic music. Though elements of it were being used in other genres before 1968, electronic music didn’t really reach horror until the late sixties. The exact date of the first use of electronic score has been attributed to various films; largely Cold War fare … Continue reading The Horror Score Rebellion Part 2 – Night Of The Living Dead And The Electronic Score.
Playing against our expectations and how music can twist our emotional construction and beliefs on scenarios of reality for its own ends. “Music is a “mirror” that allows one to “see one’s self”” – Slobada and O’Neill quoting DeNora (1999 p51). I mentioned early about the dark to side to my argument but also how … Continue reading Film Scores and the Social Construction of Emotions (Lynch and Kubrick) – Part 2