For a film as heavily symbolic as David Lynch’s Eraserhead (1977), readings of its aesthetic aspects are often commonplace within the cinematic discourse of the film. Lynch has often made explicit use of the medium’s inherent dream-state as a tool to question the viewer on various topics, often finding visual expression through symbolic and highly personal direction. Though Eraserhead was his first feature film, his … Continue reading Eraserhead (1977) – Sickly Soundscapes (David Lynch).
In spite of its very energetic reappraisal and various analyses, Michael Powell’s career destroying masterpiece, Peeing Tom (1960), is a film whose musical eccentricities and sound design contain hidden depths. For a film that appears on the surface to be almost excessively Freudian, this was normal yet, when looking at some of the detailed reappraisals and even some of the high-end re-evaluations of its narrative … Continue reading Peeping Tom (Michael Powell,1960) – Aural Perspectives of Murder.