Part 1. Part 2. Part 3. Kierkegaard’s Erotic Immediacy and the Atonal Manifestation of Complex Erotic Identity in Music for Strings, Percussion and Celesta. “Sensuous immediacy has its absolute medium in music, and this also explains why music in the ancient world did not become properly developed but is linked to the Christian world.” – Kierkegaard (1843, p.71). Unlike the other pieces of music by … Continue reading Eroticism in the Music of Béla Bartók – Part 4 (Kierkegaard’s Immediacy)
Introduction Michael Haneke’s debut feature set the tone for the majority of his interests that would be explored over the next few decades. The Seventh Continent (1989), though part of the Glaciation Trilogy, stands on its own for questioning a very specific and brutal form of philosophy; that of Freud’s Death Drive principles. Though Haneke would address philosophical issues in a lot of his films (this … Continue reading The Seventh Continent (Michael Haneke) and the Freudian Death Drive – Part 1.