Distant Voices, Still Lives (Part 4) – Communal Singing and Domestic Abuse.

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Communal Singing of Popular Music. “Song lyrics threaten to offset the aesthetic balance between music and narrative cinematic representation. The common solution taken by the standard feature film is not to declare songs off limits – for they can give pleasure … Continue reading Distant Voices, Still Lives (Part 4) – Communal Singing and Domestic Abuse.

Distant Voices, Still Lives (Part 3) – Music, Memory and Society.

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Music, Memory and Society. Adorno and Eisler argue that: “As a matter of principle, priority goes to the truly novel musical resources. However, motion-picture music can also summon other musical resources of the most varied nature, on the condition that it reaches the … Continue reading Distant Voices, Still Lives (Part 3) – Music, Memory and Society.

Distant Voices, Still Lives – Sounds of the Past. (Part 2)

Part 1 Part 2 Part 3 Part 4 Part 5 The Sounds of the Past “To this inexorable, insidious awareness of your own dependence on your past, like an illness that grows even harder to bear, I gave the name “Nostalgia”...” (Tarkovsky, 1986, p.206) One of Distant Voices, Still Lives’ key differences to all that … Continue reading Distant Voices, Still Lives – Sounds of the Past. (Part 2)

Distant Voices, Still Lives – Nostalgia and Hardship Through Sound & Music (Part 1).

Part 1. Part 2. Part 3. Part 4. Working Class Pasts – Nostalgia and Past Hardship Through Sound and Music. “Since the 1970s especially, the tendency has grown for directors to indulge their own musical tastes in scoring a film” (Gorbman, 2006, p.17). Distant Voices, Still Lives (1988) – Differences in Time. Terence Davies’ autobiographical … Continue reading Distant Voices, Still Lives – Nostalgia and Hardship Through Sound & Music (Part 1).

Sound And Music In Cinema About The British Working Class (Part 1).

Propaganda, Metaphor And Nostalgia:  Sound And Music In Cinema About The British Working Class. Introduction – Class and the Arts “The collective function of music has become transformed into the function of ensnaring the customer.” (Adorno, 1947, p.61). Class is an ever pervasive issue in British society. While manifesting into many forms around the world, … Continue reading Sound And Music In Cinema About The British Working Class (Part 1).