The Problematic Reception of Derek Jarman’s Blue – Part 4 (New Technological Contexts).

Part 1 Part 2 Part 3 The Reception of Blue in New Technological Forms and Contexts. “The degree to which the spectator identifies with the diegesis as his/her own hallucination fluctuates from spectator to spectator, from narrative moment to moment, from genre to genre.” (Gorbman, 1987, p.45). It is very hard to experience Blue today … Continue reading The Problematic Reception of Derek Jarman’s Blue – Part 4 (New Technological Contexts).

The Problematic Reception of Sound And Vision in Derek Jarman’s Blue – Part 1 (Introduction).

When is a Film Not a Film? The Problematic Reception of Sound And Vision in Derek Jarman’s Blue. Introduction “I don’t think of myself as avant-garde. I think avant-garde died in the last revolution before the war.” – Derek Jarman (1994) For a director whose visual flair and heightened sense of style became a sickly, … Continue reading The Problematic Reception of Sound And Vision in Derek Jarman’s Blue – Part 1 (Introduction).