Forever a cinematic alchemist - a sage that conjured and devoured celluloid before the eventual ritualistic sacrifice- Derek Jarman is the perfect suitor to Shakespeare's The Tempest (1979); a play whose heart is bathed in the tragedy and power of magic. Of course Jarman isn't the only person from the Brit-pack of avant-garde directors to … Continue reading Alchemical Magic in Derek Jarman’s The Tempest (1979).
Out of all of Derek Jarman's pre-feature length film work, his short capture of a 1971 walking trip, A Journey To Avebury, is perhaps his most interesting and subtly complex piece of short film work. These were the early days of Jarman's experimentation when his work as a painter and even a set designer still … Continue reading Perception Of Landscape in A Journey To Avebury (1971) – Derek Jarman.
Part 1 Part 2 Part 3 The Reception of Blue in New Technological Forms and Contexts. “The degree to which the spectator identifies with the diegesis as his/her own hallucination fluctuates from spectator to spectator, from narrative moment to moment, from genre to genre.” (Gorbman, 1987, p.45). It is very hard to experience Blue today … Continue reading The Problematic Reception of Derek Jarman’s Blue – Part 4 (New Technological Contexts).
The constructs that delineate a difference between short films and music videos has been fuelled by debate and value judgements by those after a perfect set of rules. Acclaimed director Derek Jarman didn’t seem too fussed about these connotations when creating his short films and music videos often blurring the line between the two and … Continue reading Derek Jarman And The Music Video.