David Lynch’s Musical Formations of Cinematic Ideas (The Big Dream).

David Lynch has a very clear and obvious interest in music. This interest finds its way into his films via a number of different methods and often build upon the director’s main recurring themes and ideas. What makes David Lynch distinct from other American directors with interests in music such as Martin Scorsese and Woody … Continue reading David Lynch’s Musical Formations of Cinematic Ideas (The Big Dream).

David Lynch’s Avant-Garde Uses Of Music – Part 3 (Influence).

Part 1. Part 2. Mulholland Drive In Context of Other Subversive Mainstream Films (Eyes Wide Shut). “For the duration of his career, and despite the size of his productions and the fact that they were all studio funded, Kubrick was very much an independent filmmaker.” – Horsley (2005, p.54) Lynch isn’t the only director to take Hollywood … Continue reading David Lynch’s Avant-Garde Uses Of Music – Part 3 (Influence).

David Lynch’s Assimilation Of The Avant Garde – Part 2 (Musical Score and Club Silencio).

Part 1. Musical score – In the Context of David Lynch and Film Noir. The score for Mulholland Drive is a melting pot of ideas, genres and textures all of which add to the ineffable nature of the film.  Instead of putting the music in contrast with outside environments and films like most normal critiques … Continue reading David Lynch’s Assimilation Of The Avant Garde – Part 2 (Musical Score and Club Silencio).