A dialectic commentary of personal history is presented in Chantal Akerman’s News From Home (1976-77); a feature length cinematic experiment that seems born of cathartic necessity rather than simply creative ambition. Akerman had been working her way up throughout the 1970s and News From Home was made after her critical appreciation had grown, largely thanks to the impossible-to-ignore vigour of her 1975 film, Jeanne Dielman, … Continue reading News From Home (1976-77) And The Transience Of Family – Chantal Akerman.
In spite of its very energetic reappraisal and various analyses, Michael Powell’s career destroying masterpiece, Peeing Tom (1960), is a film whose musical eccentricities and sound design contain hidden depths. For a film that appears on the surface to be almost excessively Freudian, this was normal yet, when looking at some of the detailed reappraisals and even some of the high-end re-evaluations of its narrative … Continue reading Peeping Tom (Michael Powell,1960) – Aural Perspectives of Murder.
Avant Godard! Musical Subversion And Fictional Interaction With Non-Diegetic Music In The Films Of Jean-Luc Godard. Introduction – French New Wave As Avant Garde. When discussing Avant Garde cinema, the most obvious choices of cinematic subject would no doubt be linked to the likes of Dali, Buñuel and Cocteau. However, the gradual movement from Avant Garde to Art House cinema presents a more interesting case for Avant Garde … Continue reading Avant Godard! Musical Subversion In The Films Of Jean-Luc Godard. (Part 1)
Charles Laughton is perhaps better known for being a strong character actor than a prolific director, yet his lone directorial effort shows an eye for beautiful visuals, fleshed out characterisation and heady mix of genres and styles. Often lumped in with far more generic film noir fair, 1955’s Night of the Hunter is far more than a simple gangster noir or Raymond Chandler adaptation. In fact it’s so far … Continue reading Night of the Hunter – Charles Laughton (1955)