It is fifty years ago this September since Chantal Akerman made her first film. It was a short comical fragment about distraction and suicide called Saute Ma Ville (1968). Following Akerman herself running up to her flat, the film then shows her gradually making a mess of the kitchen into which she has locked herself, taping the gaps in the door and windows ready for … Continue reading An Exhaustive List of Nothing and Everything in Chantal Akerman’s Saute Ma Ville (1968)
A dialectic commentary of personal history is presented in Chantal Akerman’s News From Home (1976-77); a feature length cinematic experiment that seems born of cathartic necessity rather than simply creative ambition. Akerman had been working her way up throughout the 1970s and News From Home was made after her critical appreciation had grown, largely thanks to the impossible-to-ignore vigour of her 1975 film, Jeanne Dielman, … Continue reading News From Home (1976-77) And The Transience Of Family – Chantal Akerman.