This article contains spoilers. There are many aspects of distraction within Jerzy Skolimowski’s 1970 film, Deep End. Its highly sexualised, sometimes seedy narrative, its vast array of colours and its crisp, sharp direction are only a handful of its hyper-active eccentricities. Even David Lynch, a long-time pessimist about colour cinema, is on record as a fan of Deep End‘s array of powerful colours, and styles. … Continue reading Deep End (1970) and the Musical Emphasising of Narrative (Jerzy Skolimowski).