Terrible things can happen in environments that allow people to step-back from consequences; this is the first step in most types of crime and film noir pictures. But to simply place Claire Denis’ latest film, Bastards (2014), into one of these categories just for the ease of categorisation does it little justice. Denis’ film has more to its narrative than its surface layer shadow but … Continue reading Bastards (Claire Denis, 2014) – Oily Depths and Blank Walls.
It hasn’t taken long for the medium of VHS to enter the realm of retrograde chic. During the 2010 Liverpool Biennal Contemporary Arts festival, one of the main pieces that stood out was actually an independent sculpture made entirely for VHS cassettes; spools of tape spilling out onto the floor while Videodrome-like screens played fuzzy images of recorded images. The medium now occupies that same … Continue reading Hidden (2005) And The Mysteries of VHS Aesthetics – Michael Haneke