Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 4 (Conclusions)

Part 1. Part 2. Part 3.  Combining the Readings: Similarities, Contradictions and Cross-Over. “It’s as if the film were pinpointing the very essence of the unfilmable: the entwined couple, monstrous, the two-backed beast of the primal scene, the impossible couple of body and voice.” – Michel Chion (1999, p.149). While Murphy and Fenimore examine and address different points and issues, their resulting essays not only … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 4 (Conclusions)

Vertigo – Alfred Hitchcock (1958)

Reviewing a film that almost solely relies on its twists and turns can be a tricky task.  In the case of most Alfred Hitchcock films, the enjoyment comes from the suspense and the relief that flows over the viewer when the narrative twists and the shocks have been revealed.  Hitchcock’s magnum opus, Vertigo is one of these films and so therefore this review comes with … Continue reading Vertigo – Alfred Hitchcock (1958)