Repetition, Adorno and 71 Fragments Of A Chronology Of Chance (Haneke).

Much has been written about the stark comparisons between the cinema of Michael Haneke and the culture theories of the Frankfurt School of philosophy.  In the 2010 book, A Companion To Michael Haneke, Roy Grundmann devotes a whole essay in the volume to Theodor Adorno and the “aesthetic fragmentation” of several of Haneke’s films whilst various articles and essays spend time drawing comparisons to Haneke’s … Continue reading Repetition, Adorno and 71 Fragments Of A Chronology Of Chance (Haneke).

Salò (1975) and the Potential for an Adornian Film (Pier Paolo Pasolini).

Reading through some of the writing of Frankfurt school philosopher, Theodor Adorno, it becomes extremely clear that mass culture is what he believes to be the fault of many of the world’s problems as well as symptom of them too; a false enlightenment perhaps, which is the product of simply being unable to accept a world after the end of the Second World War and, … Continue reading Salò (1975) and the Potential for an Adornian Film (Pier Paolo Pasolini).