Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 4 (Conclusions)

Part 1. Part 2. Part 3. Conclusions “The link between art and real history is the fact that works of art are structured like monads.  History may be called the content of works of art.  Analysing them is the same as becoming conscious of the immanent history stored up in them.” Adorno (1970, p.126). The bedrock of this essay has been to show how Ligeti’s … Continue reading Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 4 (Conclusions)

Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 3 (Musical Narrative)

Part 1. Part 2. 2001: Narrative and Musical Parallels. “Ultimately, 2001 is a film that suspends that coordination of the human body, and thus human nature, in such conditions- even as it suspends our final judgments about human nature in its open-ended conclusion about our future development.” Decker – (2007, p.101). One of the biggest omens that a piece of music is given preference in … Continue reading Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 3 (Musical Narrative)

Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 2 (The Musical Past)

Part 1. Musical Techniques of Atmosphères and Disassociations with the Past. “Seen from this angle, with Atmosphères I was consciously reacting against the refinement of serialism.  Musical texture in Atmosphères is also refined but in quite a different dimension.” -Ligeti (1983, p.38). Before even looking in any depth at the notational content of Ligeti’s Atmosphères, it becomes clear to the reader when looking over the … Continue reading Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 2 (The Musical Past)