Part 1. Part 2. Part 3. Part 4. Though of course subjective, the natural Kierkegaardian immediacy of the music is instantly on show. Several sections of brooding along these themes can be read almost as seductions, with the build-ups working easily as well as the seduction segments from The Miraculous Mandarin. The pairs of strings that seem to roll over each other as they begin … Continue reading Eroticism in the Music of Béla Bartók – Part 5 (Post-Modern Pulp).
Part 1. Part 2. On the other hand, The Miraculous Mandarin presents a set of characters who are, by contrast, in the aesthetic stage; satisfied with the quick, disposable type of pleasures and unconcerned with future development. Carlisle states that ” The aesthetic mode of existence is characterized by the pursuit of personal satisfaction. The aesthete lives for the pleasures of the moment, and tends … Continue reading Eroticism in the Music of Béla Bartók – Part 3 (The Modernist Jungle)