Avant Godard! Musical Subversion In The Films Of Jean-Luc Godard. (Part 1)

Avant Godard! Musical Subversion And Fictional Interaction With Non-Diegetic Music In The Films Of Jean-Luc Godard. Introduction – French New Wave As Avant Garde. When discussing Avant Garde cinema, the most obvious choices of cinematic subject would no doubt be linked to the likes of Dali, Buñuel and Cocteau.  However, the gradual movement from Avant Garde to Art House cinema presents a more interesting case for Avant Garde … Continue reading Avant Godard! Musical Subversion In The Films Of Jean-Luc Godard. (Part 1)

Pierrot Le Fou – Jean-Luc Godard (1965)

Describing Jean-Luc Godard’s output in the 1960s as prolific would be an understatement.  From his 1960 debut feature film A Bout De Souffle, he produced a wealth of experimental, groundbreaking and kitsch films often highlighting political stances and reveling in absurd visual eccentricities.  One of the many highlights from this creative storm is his one of his many crime films; 1965’s Pierrot Le Fou.  Though crime was … Continue reading Pierrot Le Fou – Jean-Luc Godard (1965)

Last Year In Marienbad – Alain Resnais (1961)

Alan Resnais is perhaps one of quieter directors of the French New Wave movement.  His films are often delicate examinations of the emotional states and philosophical choices that take their time in delivering a story.  Though less known than both Godard and Truffaut, his work has a strong consistency that makes repeat viewings essential in gaining an insight into what exactly the film was about.  Last Year … Continue reading Last Year In Marienbad – Alain Resnais (1961)