Classical traditions and feminist ideologies collide and intertwine in Laura Mulvey and Peter Wollen’s Riddles of the Sphinx (1977). It’s instantly clear from its opening “contents” page that the film isn’t simply going to be a piece of narrative cinema, nor is it going to be purely avant-garde. With the increasing use of the term Essay Film within the analysis of cinema, Mulvey’s film is … Continue reading Riddles of the Sphinx (1977) – Laura Mulvey and Peter Wollen (BFI).
Curating films together for a DVD release is an interesting concept. Usually the most obvious connection between films is their director with auteur based box sets being perfectly normal in the everyday DVD buying scenario. When a DVD is released combining films with a more subtle connection, it is vital that the films have a strong relationship with each other to avoid clashes and tainting. … Continue reading BattleShip Potemkin + Drifters – The Soviet Influence (BFI)
Of all of Jacques Tati’s films, Mon Oncle (1958) is probably the most disarming in its satirical attack on efficiency and modernity. Monsieur Hulot is the perfect out of place character, stuck in an ever changing world that values tidiness and its objects more than its happiness and relationships. The high tech nature that is gradually engulfing Paris has never been so quaintly photographed (though … Continue reading Mon Oncle – Jacques Tati (1958), BFI.